Jump to content

Who's The Better Singer I.Y.O. of Course?

The Better Vocalist  

24 members have voted

You do not have permission to vote in this poll, or see the poll results. Please sign in or register to vote in this poll.

Recommended Posts

Don't know why I decided to do this, probably cause im sick of having this argument with my best friend, who do you think is truly the better singer out of the 2? I went with M.V., I think his voice and style are light years beyond JSS, who in his own right is mind blowing, make your pick!!

Link to comment
Share on other sites

For me JSS's voice is better than Vescera's, although there are a lot of vocalists I prefer to both of them.

Link to comment
Share on other sites

I think you may have given Vescera his only vote, mate. Got no issue with either of them, though I agree with James that neither is exactly a great singer. JSS is a great vocalist and performer too, but for voices alone neither really is anywhere near my fave.


Anyway, out of these 2 I think JSS is FAR superior.

Link to comment
Share on other sites

I don't know, I dig them both, but they are singing in different "styled" bands. I LOVE MV in the Obsession stuff, especially "For The Love Of Money".


So I'll go with Mike based on that.


I'd forgotten about Obsession. 'For The Love Of Money' is an awesome tune! 'Methods of Madness' is a great album with great vocals. I just find that a lot of the Vescera stuff I don't enjoy nearly as much as that, maybe that style suits his voice a lot better than some of the other bands, like Dr Sin and Loudness. Don't get me wrong, he still sounds fine on those, but not nearly as good as on the Obsession album. Overall I have to stick with JSS.

Link to comment
Share on other sites

  • 4 months later...

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.
Note: Your post will require moderator approval before it will be visible.

Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Posts

    • His music videos are always good: either very silly, or very sexy. So I've got this queued up on the PC. Looking forward to it. 
    • New single "The Animal" dropped today, not bad at all:    
    • I dig the new tune!  Honestly, might be my favorite yet from these guys. I like that this kind of gets away from the  Bon Jovi Country vibe they sometimes had on the debut.  For me, this has a fresh, big sound to it.   Will have the new one on my radar.
    • 3rd single... Love It   
    • New video for 'Dance'.    
    • Vandenberg - Sin Chicago - The Chicago Story (2 CD) Megadeth - So Far, So Good, So What? (Expanded) The Allman Betts Band - Down to the River Mike Oldfield - Five Miles Out (Remaster) Buckingham & McVie - S/T Michael Hutchence - S/T Roxy Music - Stranded (Remaster) Echo & the Bunnymen - Reverberation  Echo & the Bunnymen - Evergreen (Expanded)
    • After releasing two albums with AOR/Melodic Rock band Streets, ”1st” (1983) and ”Crimes In Mind” (1985), lead singer and keyboardist Steve Walsh returned to Kansas, to revive the band along with original members Phil Ehart (drums) and Rich Williams (Guitar). Furthermore, the lineup was completed by the addition of bassist Billy Greer (from Streets) and young, promising, former Dixie Dregs guitar man Steve Morse, who also contributed with composing skills and backing vocals. Eventually, the group’s ”Power” album was released in November of 1986, rather much to the vintage Kansas and Prog Rock purists dismissal, as I recall it. The heavier sound/direction and absence of violinist Robby Steinhardt, songwriter/keyboardist/guitarist Kerry Livgren and bassist Dave Hope were all contributing factors to the disapproval, it seems. However, mentioned ”Power” should perhaps instead be judged on its own merits, as it is what it is. Put out in a time when commercial Melodic Hardrock was very much in fashion, with FM rock radio and MTV as ever the important ingredients of daily life. In the end, the album actually landed at a respectable No. 35 on the Billboard chart, while the single/ballad ”All I Wanted” eventually rose to an even more impressive No. 19. Review by Thomas McFapperson 2024.        
    • They have a real knack for writing (and producing!) songs that could be featured in '80s coming of age films and I mean that in the most complimentary way possible. Really putting the retro in retrowave 
  • Create New...

Important Information

By using this site, you agree to our Terms of Use.