zacharyamelie

The newest track King Of Nothing is fantastic. 

2 hours ago, AlphaMale said:

Examples:

 

 

 

 

Until The End Of The World is the only post glory years track that I have on my Lillian Axe Spotify mix. It would have fit perfectly on Psychoschizophrenia. 

Fantastic track

Smoking sounds just like Uh! All Night from Kiss in the chorus. 

Love Poets Of The Fall and Dancing on broken glass is one of the best tracks from the last 20 years. 

1 hour ago, sirlemonhead said:

I'm really disappointed in this album. I think it's probably automatically going to become my least favourite H.E.A.T release due to the mastering.

It's fucking LOUD. The levels have all been pushed to 100% so everything is just a mush of white noise. I put the album on last night and had ear fatigue by about 4 songs in. I skipped around but can't really form much of an opinion on the songs yet bar that I like Not for Sale quite a lot.

I was so excited to hear Kenny again but he sounds quite buried in the mix. You can't even really tell what the guitars are doing in the choruses due to that pumping mush of noise. I dunno if I can manage a full playthrough of the thing

It's awful.

I have the vinyl arriving today and I hope to god it's better.

I agree with this 100% and Not For Sale is just about the only keeper for my Spotify H.E.A.T mix with Kenny on vocals. 

Easily the bands weakest release…the catchy sing along choruses are nowhere to be found. This is the first H.E.A.T that will not make my top ten, nor twenty. The band deserves a few spins but I’m not really pumped to listen to this one again. 
 

I guess they wanted heavy and loud over melodic and memorable. I am super disappointed with what I am hearing here. 

Vocals are good

gang vocals really good

Musicians are great 

still odd seeing an Asian band play Scandi/Euro style rock but the more the merrier. 

my biggest concern are the songs. Like 91 Suite…the ingredients are all there but the final result is lacking robust songs that kick ass. The two sample tracks are ok but nothing more. Plus signing to Frontiers sure doesn’t mean the song writing will necessarily improve…the ADV effect.

Not sold but will certainly investigate more. 

Still my favourite release so far this year

Dance of the maggots?!?!?

Those song titles and the album title really suck. Another slow and dreary release seems to be in the cards. 
 

You’d think bands like this would try to please its long time fans. 

Their first 4 releases are fucking classics and since they have released only a handful of semi decent tracks. 

Great stuff…one of the best guitarist on the planet…not sold on the JBJ styled vocals. 

3 hours ago, tobi is an animal said:

I liked the first album, thought the second one was just ok, new single is just ok as well. They are still doing that thing from the last album where half the songs were a minute/minute and a half longer than it needed to be.

My thoughts exactly on the unnecessary long length of some of the songs. 

This guy has absolutely taken it to another level of awesome with his last album and this track. 

Great lead off track

A monster of a release…gorgeous on every level. Good to see Frontiers releasing such a beautiful piece of work with a variety of different vocalists. It won’t be for everyone but this will easily find its way into my top 10 of 2022.

It’s a garbage release

tracks from the first two album are taken from a live release. The Bonus tracks are horrendous. 
Way to piss on your legacy with this release. Shameful money grab!

These guys have completely changed their sound. Every release is usually fantastic. Love the sound of this track. 

That Darkhorse was awesome and should have been a massive hit. I hope they do another release. 

Well that was boring. Awful chorus, decent solo. 

The title track dropped and it reminds me of Judas Priest but is still the sound that has become Reckless Love. 
 

Pepe the guitarist isn’t talked about very much but his solos are amongst my favourites over the past few years. They may be short but most are flashy, unique and memorable. Not the shred by numbers that goes unnoticed…you clearly hear and anticipate every one of his guitar solos. 

This is very likely my pick for the best album of 2022…amazing!

This album finally dropped on Spotify today and damn it’s great. Other than the Hot For Teacher wanna be track The Warrior, it’s melodic ear candy. 

Gil Moore walking into the studio at the start was all I needed to know that it was a Triumph cover. 

Cherry Pie and DED are easily the best albums, the order depends on the day and my mood. I’d even rate Ultraphobic ahead of DRFSR…other than the two big ballads it was a pretty pedestrian release for the time. 

I’ve been hurt and I’ve been blind…

greatest bridge in a song ever!!!