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  1. From FB: GHOST PLAY coming this september! Stay tuned for more exciting news soon! Are you as excited as we are? Tracks: 1. Friendly fire 2. The magician 3. Pain and passion 4. The war inside 5. Savage heart 6. Brothers of war 7. Never say never 8. Ghost play 9. Night moves 10. Walking in shadows 11. All eyes on you 12. Save the word
  2. Good stuff. Press release: “Bluesbound Train” is going to be released on November 25th, 2016 via AOR HEAVEN. Boneyard Dog is an Irish Classic/Blues Rock Band founded in 2015 and the brainchild of German/Italian Rock Singer Rob Mancini (Hotwire, Crush, Rob Mancini Band & Scar For Life) and Irish Blues guitar hero Davy Kerrigan. Added to the line-up in early 2016 was American rock drummer Ron Wikso, an established artist known for his recording and touring work with some of the best musicians and known entertainers in the world including Cher, Richie Sambora (Bon Jovi), Foreigner, David Lee Roth (Van Halen), The Storm, Gregg Rolie (Santana/Journey), Eddie Money, CCR (Creedence Clearwater Revisited), Player (featuring Ronn Moss & Peter Beckett), Randy Meisner (the Eagles), Denny Laine (Paul McCartney & Wings/The Moody Blues), Dave Amato (REO Speedwagon/Ted Nugent/Jimmy Barnes), Michael Monarch (Steppenwolf), Dave Meniketti (Y&T), George Burns, Sammy Davis Jr., Peggy Lee and many others. Half way through the writing of the debut album, Mancini contacted Tony Carey, former keyboarder of Richie Blackmore’s Rainbow. Carey played on the classic albums ‘Rising’ and ‘On Stage’, in the Rainbow line-up including Ronnie James Dio, Cozy Powell, Jimmy Bain and Ritchie Blackmore, touring the world for 2 years. He has recorded and released over 40 records, and produced records by John Mayall, Chris Norman, David Knopfler, Joe Cocker, and Peter Maffay (Germany’s top-selling rock artist). He has done several film scores and published well over 1,000 songs. Initially planned as a guest keyboarder on one of the tracks, Carey was impressed by the material and offered to fill the slot as keyboarder on the entire album. Staying true to their roots in rock’n’roll music, a style all members are involved in for over a decade, the band also implemented their love and passion for blues into the project. With a lot of experience, compassion and inspiration the foundations are set for a new Classic Rock album that will find many new friends and listeners. Mancini’s and Kerrigan’s song writing are combining harmonies, killer riffs and solos as well as creative lyrics to create an outstanding work of art. Boneyard Dog recorded their debut album ‘Bluesbound Train’ between March and September 2016 at Total Control Studio Austin/Texas and GMG Studio ONE in Donegal/Ireland. The album was produced, mixed and mastered by Rob Mancini. In August 2016 the band subsequently signed to German label AOR Heaven. Outside the music business, the band is involved in philanthropy, having created the Boneyard Foundation, a foundation benefitting victims of motorcycle accidents or their immediate families. The bands proceeding from the track ‘Lonely Road’ featuring Marc Lynn (Gotthard) and the accompanying video will go towards the Boneyard Foundation. Boneyard Dog: Rob Mancini (Vocals, Bass) Davy Kerrigan (Guitars) Tony Carey (Keyboards) Ron Wikso (Drums) Guests: Mark Lynn (GOTTHARD) – Bass John Pratt (FIREFLY) – Backing vocals & Choirs Geoffrey Spool – Harmonica boneyarddog.com FB Tracks: 1.Atchafayalla 2. Mother Lode 3.Kingdom of your company 4.Lonely Road 5.100 Guns 6.Bluesbound Train 7.Paid my dues 8.Lay down the law 9.Hell and Back 10.Heartbreaker 11.Fire down below 12.Boneyard Dog
  3. Press release: Wickman Road is a young Swedish Melodic Rock Band with origins from the small town Rydaholm. Henrik, Carl and Robert had been playing music together for years, but it was not until Eric joined up as a singer in 2011 that they grew an ambition to start a band for real. The two pair of brothers wrote several songs during the early stage and struggled to realize their ambition. The missing piece was added when Simon joined the band in 2014 and Wickman Road was officially born. With Simon as the drummer, the band was provided with the spark needed to start their journey towards the debut album. Inspired by the AOR genre they started to write music in the true spirit of Melodic Rock, with their own touch of modern sound. In the fall of 2015, eleven songs were recorded with the helpful hand of Producer Ola af Trampe at Studio 165. The recordings were done with great enthusiasm and resulted in Wickman Road’s first album “After the Rain”. For Wickman Road this album really is about getting past the struggles of doubt and finding your own way. With lyrics inspired by the band members’ own journey, Wickman Road is here to make their mark in the world of music. The album was mixed and mastered by Ola af Trampe at Studio 165, Växjö, Sweden. Wickman Road: Eric Ahlqvist – Vocals Henrik Åkesson - Guitar Robert Åkesson - Bass Carl Ahlqvist - keyboard Simon Rydén - Drums FB Soundclip: After The Rain
  4. New album out on AOR Heaven in the near future. Art Nation: Alexander Strandell (Diamond Dawn) Christoffer Borg Theodor Hedström http://www.youtube.com/watch?v=TukqP2kfuGc
  5. Out August 26 (AOR Heaven) Review from chesyrocksreview.com (by aorwxm): Dante Fox are one of the rare breed of bands that started in 1989 and haven’t taken a break because…. - ........of melodic rock going tits up because of grunge - ........melodic rock has never been a true money earner - ........of doing a Blues Brothers and ‘get the band back together and reform’ for a quick buck In fact, they have ploughed along regardless of what’s going on around them, stuck to the plan of offering up cracking slices of music without diminishing returns. In fact, when certain bands are happy to turn out ‘average’ to ‘meh’, Dante Fox have been banging out a higher quality with each and every release. I must admit that if I were Manford/Willetts, I’d have probably given up a long time ago, as the money in AOR is four fifths of fuck all. I guess Dante Fox would love to make a living just out of their music, but I for one am glad that they continue to put out music for the love of it. Over the last 15 plus years I’ve watched them (and listened from afar) grow as a band both musically and in a live setting. In fact, a Dante Fox show is a definite highlight, and a band not to be missed. So what about their latest release ‘Breathless’.? Well I’m happy to report that it follows on a great tradition of cracking Dante Fox albums. Immediately you are hit by the quality of the production. Not enough is given to great production nowadays, but this screams quality. ‘Young Hearts’ is as pure AOR as it gets and is an instant memorable track after just the one listen and is destined to be on many a playlist. ‘All Eyes On You’ see follows the Dante Fox playbook, and solid riffage from Manford with a great bridge and chorus. Willetts had a 'Marmite' voice for me a few years back (only because high vocals play havoc with my tinnitus!), but on ‘Breathless’ she sounds fantastic. ‘Breathless’ has Manford digging into his ‘Best 1980s Hair Metal Riffs’ book and knock it out of the park. If anything the verse doesn’t quite match the riff, until we get to the chorus that is, and when they both entwine the result is superb. ‘Break These Chains’ sees Dante Fox delve into ‘soft rock’ mode before kicking loose with yet another powerful chorus. ‘Broken Hearted Man’ has ballad running through it like a stick of Blackpool rock, and is also given the acoustic treatment as a bonus. ‘I Cant Stop Tonight’s ‘ Manford riff comes straight out of the blues rock FM/Thunder school of music, and is a class act indeed. ‘Dynamite’ just slayed me. The riff is reminiscent of all you/me/we loved about some of the best songs of the 80s. It’s a AOR-sters catnip. Willetts bridge and chorus just complement the riff perfectly. If it were Pat Benatar, we’d be waxing lyrical. After a couple of listens, its straight onto my playlist. ‘Love Affair’ is a full on No Limits Powerplay (anyone?), a huge number that’s a live certainty. ‘How Will You Know’ starts off with Birmingham’s version of a Nightwish/ Evanescence track, and has a massive opening salvo. In a World where a lot of the melodic rock roster are on a certain European label, its great that Georg Siegl and his AOR Heaven label are a major exponent of offering up shit hot quality AOR (that’s ‘shit hot’ – punctuation is everything!). Not all the good stuff is over in Italy, in fact Dante Fox match up to or are as good, if not better than any melodic rock act plying their trade in the 21st century. If Dante Fox were a product it would be ‘Ronseal’ because the album does exactly what it says on the tin, I defy you to listen to this and not be…….. ‘Breathless’. PS If you’re gonna buy one album in August, I cant recommend this one highly enough. Out 26th August – go one, treat yourself! Dante Fox are Tim Manford – Guitars Sue Willetts – Vocals Andy Perfect – Drums Alan Mills - Bass dantefoxrocks.moonfruit.com FB Tracks: 1. Young Hearts 2. All Eyes On You 3. Breathless 4. Break These Chains 5. Broken Hearted Man 6. I Can’t Stop Tonight 7. Dynamite 8. Love Affair 9. How Will You Know (where to find me) 10. Creeps Into My Mind 11. Broken Hearted Man (Acoustic/ String Arrangement)
  6. New album out in August through AOR Heaven. Details to follow... https://www.facebook.com/pages/Miss-Behaviour-official/139417712776640
  7. New album out now. From AOR Heaven: SKINTRADE are back, which was unmistakably evident with their 2014 comeback output "Refueled". Swedish hard rock outfit of singer Matti Alfonzetti (JAGGED EDGE), which was able to have remarkable success in the midst of the nineties in many respects, are back with a vengeance. At the end of the day, there's a really good hard rock album with a lot of attitude and craftsmanship. Ten fresh but typical SKINTRADE-songs, each of them hard to categorize because they touch the grounds of BON JOVI ("Find A Way") as well as D:A:D ("Goodbye"), sometimes remind a little bit of Alternative Rock ("LoveHate") but then sound a bit like Melodic Hard Rock of the eighties ("Broken"), can be found on the record. At the end of the day despite all shades, "Scarred For Life" will satisfy all fans, old and new alike. Each song is supposed to be played live and the total absence of keyboards is not bad at all. Alfonzetti never sounded that good and the lively production is really convincing these days where often soulless sounds are widespread. A solid piece of rock! Skintrade: Matti Alfonzetti - Vocals, guitars Stefan Bergström - Guitars, backing vocals Håkan Calmroth - Bass Håkan Persson - Drums, backing vocalse: skintradesweden.com facebook Tracklist: 1. Scarred for Life 2.Goodbye 3. Wide Awake 4. Lay With Me 5. Find A Way 6. LoveHate 7. Leave A Scar 8. Broken 9. Storm Will Come 10. 15 Minutes Gone
  8. Out April 29th (AOR Heaven). Pressrelease from AOR Heaven: Billy Satellite frontman Monty Byrom always knew that what he wanted most in life was to be a rock star. Having (initially at least) turned his back on the burgeoning country music scene in his home town of Bakersfield, to be more like his idols Jimi Hendrix, Eric Clapton and Deep Purple, he was playing in a Bay Area group called The Heaters when he cheekily asked local whiz kid guitarist Danny Chauncey, then a member of RSO Records signed Mistress, to produce a demo tape. Chauncey duly did so. The two remained in touch. After Byrom had formed Billy Satellite as a trio in the early 80s, he again approached Chauncey. This time he wanted the guitarist in his band. Billy Satellite had originally formed some months before Chauncey’s eventual arrival, with bassist Ira Walker and drummer Tom ‘Fee’ Falletti joining vocalist/guitarist Byrom in this exciting new adventure. Falletti and Walker, like Monty, had come of age playing the Bay Area music scene. Chauncey’s musical career had taken off straight after leaving high school, when he had joined the aforementioned Mistress. However, as a disciple of Bad Company guitarist Mick Ralphs, the prospect of being in a harder rock band, which Monty promised with Billy Satellite, was too good an opportunity for Danny to miss. Billy Satellite’s original demos were cut with Phil Kaffel manning the production desk. Kaffel has gone on to carve out a solid career in record production as a producer, engineer or mixer on albums from such diverse names as The Cult, Freak Of Nature, Heart, Eddie Money, Cher and No Doubt. Signed to Capitol Records in 1983 by the label’s legendary A&R man John Carter Billy Satellite’s debut album was produced by Don Gehman and recorded at Rumbo Recorders in Los Angeles. Although the debut Billy Satellite album is considered a jewel of the AOR genre, it’s actually more of a straight ahead rock album than it has ever been given credit for. It did reasonably well at retail once released in mid 1984 too, hitting #139 in September that year, with the two single releases ‘Satisfy Me’ and ‘I Wanna Go Back’ both reaching decent Billboard chart positions (#64 and #78 respectively). Billy Satellite found themselves out on the road with Night Ranger (managed by Marty Cohn’s brother Bruce Cohn) on the ‘Midnight Madness’ tour as the opening act, before heading out on a further stint of road work as support to Jefferson Starship. When it came time to begin preparations for Billy Satellite’s second album, Monty and his colleagues were boosted by the news that Keith Olsen had been signed up to produce the record starting in Summer 1985 at Good Night L.A. studios. Once work had commenced things did sometimes get a little heated, as Monty and Danny fought with Olsen over some changes the producer wanted to make, specifically declaring that he wanted to bring in session bassist Randy Jackson to play Ira Walker’s bass parts. In the end, only a keyboard player (Bill Cuomo) was brought in, but had Monty expected such a confrontation before working with Keith, or did it come as a bit of a shock? Monty recalls that the album took around four to six weeks to complete, but the band were soon on the receiving end of a bombshell that would utterly derail their progress. Having fallen out with key executives at Capitol, Carter had secured a similar post at A&M Records. He was replaced at Capitol by Jimmy Iovine. As a result, the second Billy Satellite album was quietly shelved and the band was dropped. There was never any working title for the second album and, to Monty’s knowledge, none of the songs were utilised anywhere else.“I didn’t listen to the second album for about five years,” Monty adds. “But when I finally listened to it I kicked myself that it was never really finished. There are some really great songs on there! And we’d actually recorded around two other albums worth of material in our time. We were very prolific.” Featuring a very interesting array of tunes, with a noticeably heavier direction in places than the first album that would’ve garnered rave reviews had it actually been released in 1985 or 86, Monty is really pleased that this record is finally, after twenty years, seeing official release. Of course, after Billy Satellite split Monty put together New Frontier with keyboardist David Neuhauser, drummer Marc Nelson and ex-Gamma bassist Glenn Letsch, releasing an album in 1987 through Polydor’s MIKA Records imprint. Monty then gravitated more towards production and song writing work with Eddie Money (who had scored a chart hit in 1986 with a cover of Billy Satellite’s ‘I Wanna Go Back’) and Grateful Dead’s Brent Mydlands, in addition to writing credits on records by David Lee Roth, the Stray Cats and Rita Coolidge. However, having eschewed country music in his teens for the more powerful draw of hard rock, Monty found himself changing direction in the mid 90s by forming the country blues outfit Big House (not to be confused with the earlier Canadian hard rock group of the same name) with his former New Frontier cohort David Neuhauser, securing a deal with MCA and releasing three albums between 1997 and 2000. Byrom was then invited to join Bakersfield’s country legends The Buckaroos following the sad passing of band leader Buck Owens, a band with whom he is still very much associated with. A fourth Big House album, ‘Never Ending Train’, was released in 2008, which is strangely the rarest of the four released titles. On January 31st 2010 Billy Satellite reunited at ‘Slims’ in San Francisco. More recently though, with the release of his first solo album in 2015 under the handle of Monty Byrom and the Road Pilots, Monty has further stepped back into the world of rock. The welcome release of the second Billy Satellite album through AOR Heaven gives us an insight as to what might have been had he and his talented cohorts been able to continue Billy Satellite’s orbit. The CD was remasterd by Chris Lyne (ex Soul Doctor, Mother Road). (Dave Reynolds, February 2016) Tracks: "You and me and the Night" "Sorry" "Honesty" "You Got Nothing On Me" "Girls Like You" "Fantasy Girl" "Secrets in Her Heart" "Slippin Away" "Turning Pages" "Final Stand"
  9. From AOR Heaven's newsletter (by Martin Stark): The creative forces behind RADIO EXILE are keyboarder Charlie Calv (SHOTGUN SYMPHONY) and singer Chandler Mogel (OUTLOUD, TALON) who manage to get on board a bunch of internationally acclaimed musicians who for instance worked with STYX, Paul McCartney or Bob Dylan. The result is a great melodic rock album which touches many grounds. "Radio Exile" contains twelve comparatively different songs, mostly American-sounding and at time with slices of soul ("Soulfire") or QUEEN-like tunes ("Higher Than The Sun") and a massive amount of groove. It's brillant cover-art should be mentioned, too, alongside the authentic, powerful and analogue sounding production. As long as there are outfits like RADIO EXILE popping up, there's no need to worry. Melodic Rock par excellence! Radio Exile: Chandler Mogel (Lead and Backing Vocals) Jimmy Leahey (Guitars, Backing Vocals) Charlie Calv (Piano, Keyboards) Kenny Aaronson (Bass) Dave Anthony (Drums, Percussion, Backing Vocals) www.radioexile.net FB Tracklist: 1. High Road, High Price 2. Soulfire 3. No Pity On The Highway 4. Feels Like Home 5. Higher Than The Sun 6. Hang On 7. Starting Over 8. Down In A Hole[ 9. A Cross On Stone 10. Road To Exile Samples: 'Hang On' 'High Road High Price' 'No Pity On The Highway'
  10. From FB: Recording has wrapped on our new album, a huge effort was put in from everyone, especially our Keyboardist/ Producer/ Engineer, Xavier who pulled some monster hours to get everything finished. The tracks are now being mixed once again in Sweden by Pelle Saether, with the album set for release in November on the AOR Heaven label in Europe/UK and through Third Verse in Australia. Stay tuned for more release info soon! In the meantime here's another sneak peak! Thanks for everyone's continued support, See you all soon. Sneak peak: https://www.facebook.com/video.php?v=10152160502686486&set=vb.145296106485&type=2&theater
  11. New album out August 8th (AOR Heaven). From germusica.com: In 1997 Singer, songwriter Steve Newman formed the band Newman and since 1998 have been producing consistently high quality albums filled with hook laden songs and thought provoking lyrics. The now, hard to find self-titled album was followed up in 1999 by the awesome "One Step Closer" album. Continuing the high standard came "Dance In The Fire" and then "Sign Of The Modern Times" in 2000, and 2003 respectfully. Fans and critics alike began to realize they were dealing with an artist that would evolve and mature with them. The year 2006 saw the release of "Heaven Knows", and once again proved beyond all doubt that Newman were becoming one of the top purveyors of Melodic Rock in the UK. Later in 2006 Steve Newman broke away from his former label to form "Chrome Dome", an independent label set up for the purpose of continuing to release the Newman product. Any doubts about the quality or consistency were cast aside when in 2007 "Primitive Soul" was released to great acclaim. This was followed in 2008 by "Decade" a double album celebrating 10 years of Newman. However, not wanting to take the usual route of a "hits" album this was packaged with a second CD containing another 14 unreleased songs which ended up being so well received it was reviewed as a new studio album. "Decade" may have been a great way for a band to sign off and call it a day, however, not only was this not even considered, the focus went into producing the next stage of the bands career. In 2010 "The Art Of Balance" was released to huge acclaim from critics and fans. The band followed this up with a string of successful live dates including Cambridge Rock Festival, Firefest Festival, and a UK Tour supporting John Waite. All this was achieved in the face of huge emotional strain after Steve suffered losing both his parents that year. In fact, as the writing progressed onto the following recording "Under Southern Skies" this AOR Heaven release ended up being a very personal and reflective album for Steve. All this time , the live band, with the addition of Pete Newdeck on Drums, joining Steve (Vocals, Guitar), Shaun Bessant (Guitar, Vocals), Paul Boyle (Keyboards, Vocals), Dave Bartlett (Bass, Vocals) were gaining momentum, culiminating in shows in Greece, Spain, Germany, and the US. 2014 saw the re-recording and release of the acclaimed first album as a Limited Edition, This coincided with a successful UK tour with Vega. PRESENT: Now, the legacy continues with the brand new release "The Elegance Machine", the culmination of songs written over the past two years and an album that once again encompasses what Newman stand for. The powerful guitars are present, as is the strong songwriting and huge melodies. But this time it also brings in modern influences such as on the title track "The Elegance Machine" and "Halo" giving the recognizable and reliable Newman sound a more contemporary edge. A natural follow up to "Siren" the album delivers a harder edge than its predecessor, but without losing the emphasis on strong hooks. Steve has always been known for his thought-provoking lyrics, and "The Elegance Machine" is no exception with subject matter ranging from corporate business greed (The Suit), through domestic violence (She Walks In Silence), and even onto the space themed (Prayer For Apollo). Once again Steve has teamed up with Rob McEwen (drummer for the last 8 Newman albums), and has also brought in the talents of Geoff Wootton backing vocals on "The Suit", "One Good Reason" "Halo", and Mark Thompson-Smith (Praying Mantis, Big Life) backing vocals on "Illuminate", "Send Us Salvation" and "Pretender Surrender".
  12. From FB (September 12th): That's it! Three years ago this month we released Living & Dying in High Definition and now finally...(finally!)...the recording of Serpentine's third album was completed late last night by Chris Gould and Gary Hughes! Now over to the awesome Neil Kernon in Chicago to mix this thing! Stay tuned...
  13. The new Alien album out on AOR Heaven April 25th. Could be a good one.
  14. New album 'Let's Get Serious' (AOR Heaven) out in May.
  15. New album out in November on AOR Heaven. More info to follow...
  16. From www.niva.se: It is just over 10 months ago the critically acclaimed album Magnitude was released for the European market and now the sophomore album is ready to hit the stores of Japan. This forthcoming album has been titled “INCREMENTAL IV” which also is NIVA’s fourth album. The album contains 11 tracks and the Japanese edition contains two bonus tracks. The album “INCREMENTAL IV” will be released on the Japanese market on the 23th of July through the lable Marquee Avalon. In August, “INCREMENTAL IV” will be heading for the European market through AOR Heaven. Pre-order “INCREMENTAL IV” now via: cdjapan.co.jp hmv.com.jp TONY NIVA (Lead Vocals, Bg Vocals) ROGER LJUNGGREN (Guitars) MARCUS PERSSON (Keys, Bg Vocals) BENGAN ANDERSSON (Drums) JAN STÅL (Bass Guitar)
  17. From http://BANNED WEBSITE.blogspot.com/2014/06/DEAD-END-HEROES-RoadKill-2014-Whitesnake-Europe-Foreigner-Deep-Purple-Doug-Aldritch-Doogie-White.html For the end of the first half of the year German label AOR Heaven are unleashing two great albums for all Melodic Hard Rock enthusiasts to enjoy; one of them is DEAD END HEROES debut "RoadKill". It’s hard to believe that Dead End Heroes merely started out as a bunch of instrumental songs laid down by Swiss drummer Daniel Voegeli. It seems that so impressed was guitarist / producer Rolf Munkes by the talent of the sticksman, however, that he suggested forming an actual band around these tracks. And so was born Dead End Heroes, with Voegeli and Munkes being joined by German vocalist Carsten 'Lizard' Schulz (LaValle), Scottish bassist Paul Logue – best known for his work with Eden’s Curse – and keyboardist / Hammond organist Holger Seeger. As debut albums go, "RoadKill" is right up there with some of 2014’s best releases. The album swings into fashion with the pumping title track which gets things started with a great hard rocking vibe that doesn’t let up for all 11 songs. All players involved are top notch musicians and all help to create some very catchy, hook driven melodic Euro-styled hard rock music. I hear elements of Whitesnake (1987) and Europe / Kee Marcello, but don’t expect a clone of either as Dead End Heroes definitely put their own spin on things and keep it fresh and vibrant all aver the record. The song with the same name as the band, "Dead End Heroes", is a harder stomper with a backbone of pulverising drums and scorching leads, it’s bare bones hard rock bolstered by Schulz’s sleazy vocal rasp. Hell, this guy has a serious set of pipes that run amok here; effortlessly they blow the speakers as the guitars and bass work in cohorts to bring the levels of intensity to boiling point. Guitarist & producer Ralph Munkes (Doogie White & La Paz) really shines on the record with some incredible lead work. If David Coverdale takes a listen to his lead work on my favorite track of the album, "Stormfront", he may very well take recently departed Doug Aldritch’s place! Keyboard player Holger Seeger also tears it up here with superb, classic-styled keyboard solo, while his Hammond playing on many numbers on the CD really adds a lot to the songs. Nothing beats a debut album that boasts self-assurance by the bucket-load, and "RoadKill" just oozes class from beginning to end. Dead End Heroes have recorded a superb classic Melodic Hard Rock record that exude a real mean streak and never comes to uninvited subtlety, despite the technical prowess of the musicians involved. I truly hope the band get the proper well-deserved push as they definitely impress with this debut. Carsten Lizard Shulz - Vocals Ralph Munkes - Guitars Daniel Voegeli - Drums Paul Logue - Bass Holger Seeger - Keyboards http://www.deadendheroes.com/ https://www.facebook.com/deadendheroes
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